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2025-09-03 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1598143102349-ECLDNHBUKSPY0F5CN1U4/image-asset.jpeg Nature Immersions Calendar - La Perouse single dive https://www.weirdnest.com/deanwalsh daily 0.75 2023-05-01 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1492341645303-LN39FSK5LSA5EWHTTQC7/image-asset.jpeg Dean Walsh Transformational Limbsyncer - Performance Space, Carriageworks, 2014. A series of Dean's queer-specific performance works from the 90's re-imagined. Photo: Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529907564447-7JQH8Z1M239Z7Q5XKQC3/image-asset.jpeg Dean Walsh Speed of Life - James Penny, RUCKUS ensemble, PACT centre for emerging artists, 2016. Photo: Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529901817770-Y8CGP48RDJVGC6FYSP5U/image-asset.jpeg Dean Walsh Flesh: Memo - 70 minute solo co-produced by One Extra Company and the International Gay Games Cultural Festival 2002, Downstairs Theatre, Seymour Centre. Photo: Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1492405491182-OAPNN971MZZI5MRMJ2OS/Prime+Orderly+%231-317.jpg Dean Walsh Under Pressure - trio with Natalie Ayton and Kathryn Puie, Riverside Theatres, Paramatta - 2012. Photo: Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1539920546689-3INWDI4OB2QUSPF6JFRH/2M4A8050.jpg Dean Walsh Threshold: NRC, PACT Theatre, Erskinville, Sydney 2018. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529907620581-Z4MFAHZBVL5OERM42NNI/2M4A7619.jpg Dean Walsh Threshold: NRC, PACT Theatre, Erskinville, Sydney 2018. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1492790920442-RJV79U8K6U3PCE67V5TP/image-asset.jpeg Dean Walsh https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1539920425731-U0IRNFHGNXD97GC9X1CA/2M4A7802.jpg Dean Walsh Threshold: NRC, PACT Theatre, Erskinville, Sydney 2018. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1492438179026-NMQYYUXQKJAKK4RLXXAS/image-asset.jpeg Dean Walsh Grounded on Air - (pleasure: its potency, politics and pit falls) - Performance Space 2005. Photo: Heidrun Löhr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529907784010-J3KQVA7M1V7BFV3T32K0/2M4A7695.jpg Dean Walsh Threshold: NRC, PACT Theatre, Erskinville, Sydney 2018. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529901299906-16TYWJ00LIUK750EXDAQ/image-asset.jpeg Dean Walsh MirrorMirror - a full-length dance / aerial work exploring ending / death and genetic memory. In collaboration with David Clarkson and Paul Selwyn Norton for Stalker Theatre. Noordezon Festival and Oerol Festivals, Netherlands and Riverside Theatres, Paramatta 2009-2010. Photo: Pierre Borasci https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529907564447-7JQH8Z1M239Z7Q5XKQC3/image-asset.jpeg Dean Walsh Speed of Life - James Penny, RUCKUS ensemble, PACT centre for emerging artists, 2016. Photo: Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1492405491182-OAPNN971MZZI5MRMJ2OS/Prime+Orderly+%231-317.jpg Dean Walsh Under Pressure - trio with Natalie Ayton and Kathryn Puie, Riverside Theatres, Paramatta - 2012. Photo: Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529901299906-16TYWJ00LIUK750EXDAQ/image-asset.jpeg Dean Walsh MirrorMirror - a full-length dance / aerial work exploring ending / death and genetic memory. In collaboration with David Clarkson and Paul Selwyn Norton for Stalker Theatre. Noordezon Festival and Oerol Festivals, Netherlands and Riverside Theatres, Paramatta 2009-2010. Photo: Pierre Borasci https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1492438179026-NMQYYUXQKJAKK4RLXXAS/image-asset.jpeg Dean Walsh Grounded on Air - (pleasure: its potency, politics and pit falls) - Performance Space 2005. Photo: Heidrun Löhr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1539920425731-U0IRNFHGNXD97GC9X1CA/2M4A7802.jpg Dean Walsh Threshold: NRC, PACT Theatre, Erskinville, Sydney 2018. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529907784010-J3KQVA7M1V7BFV3T32K0/2M4A7695.jpg Dean Walsh Threshold: NRC, PACT Theatre, Erskinville, Sydney 2018. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1492341645303-LN39FSK5LSA5EWHTTQC7/image-asset.jpeg Dean Walsh Transformational Limbsyncer - Performance Space, Carriageworks, 2014. A series of Dean's queer-specific performance works from the 90's re-imagined. Photo: Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529907620581-Z4MFAHZBVL5OERM42NNI/2M4A7619.jpg Dean Walsh Threshold: NRC, PACT Theatre, Erskinville, Sydney 2018. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1492790920442-RJV79U8K6U3PCE67V5TP/image-asset.jpeg Dean Walsh https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529901817770-Y8CGP48RDJVGC6FYSP5U/image-asset.jpeg Dean Walsh Flesh: Memo - 70 minute solo co-produced by One Extra Company and the International Gay Games Cultural Festival 2002, Downstairs Theatre, Seymour Centre. Photo: Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1539920546689-3INWDI4OB2QUSPF6JFRH/2M4A8050.jpg Dean Walsh Threshold: NRC, PACT Theatre, Erskinville, Sydney 2018. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1498442061046-LN6ERZM9W2P48YIOA8RQ/mirrormirror_ndz2009_051.jpg Dean Walsh https://www.weirdnest.com/deanwalshbio daily 0.75 2025-02-21 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493551821121-M3UYATJ7MAJEZ81X1694/image-asset.jpeg Dean Walsh Bio Buoyant space, self contained - 30 metres below (100 ft) South Solitary Island, off Coffs Harbour, NSW, 2014 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493535795291-EWJSCKHD1SI2DQTZIXTX/Fathom+-+black+umbrella Dean Walsh Bio FATHOM - Performance Space, Carriageworks 2011 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493551821121-M3UYATJ7MAJEZ81X1694/image-asset.jpeg Dean Walsh Bio Buoyant space, self contained - 30 metres below (100 ft) South Solitary Island, off Coffs Harbour, NSW, 2014 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493535795291-EWJSCKHD1SI2DQTZIXTX/Fathom+-+black+umbrella Dean Walsh Bio FATHOM - Performance Space, Carriageworks 2011 https://www.weirdnest.com/deanresearch daily 0.75 2018-08-05 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493553326014-QXJ146IQPJNC9AG26U1Z/image-asset.jpeg Inter-environmental FATHOM - commissioned by Performance Space, Carriageworks, 2011. A 60 minute feature-length work launching my Australia Council two-year fellowship. This is a section within which I move referencing 5 modalities and their subsets, drawn from the 'Currenting' domain in my PrimeOrderly movement taxonomy. I'm performing in what is now known as the 'seabody suit'. Photo - Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493553326014-QXJ146IQPJNC9AG26U1Z/image-asset.jpeg Inter-environmental FATHOM - commissioned by Performance Space, Carriageworks, 2011. A 60 minute feature-length work launching my Australia Council two-year fellowship. This is a section within which I move referencing 5 modalities and their subsets, drawn from the 'Currenting' domain in my PrimeOrderly movement taxonomy. I'm performing in what is now known as the 'seabody suit'. Photo - Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1532494293964-GHQGSAH1X6SKI2LYPVRE/IMG_8888.jpg Inter-environmental https://www.weirdnest.com/whatweoffer daily 0.75 2020-12-17 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493556064456-TQQ6NFPO2AN9LKJUFS8X/12747932_1556552447990087_3471341932437720081_o.jpg What we offer Co-leading a series of daily workshops over two-weeks. A collaboration between Sydney-based RUCKUS ensemble and Kampot-based deaf dance company, Epic Encounters. Epic Arts Centre, Cambodia, February-March 2016. Photo - Jerome Pearce https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493556064456-TQQ6NFPO2AN9LKJUFS8X/12747932_1556552447990087_3471341932437720081_o.jpg What we offer Co-leading a series of daily workshops over two-weeks. A collaboration between Sydney-based RUCKUS ensemble and Kampot-based deaf dance company, Epic Encounters. Epic Arts Centre, Cambodia, February-March 2016. Photo - Jerome Pearce https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1492310802841-XJ2ID5AU8J3DAZVOKDU3/13221377_1592537807724884_4993524963181441677_o.jpg What we offer https://www.weirdnest.com/accessible-arts-practice daily 0.75 2018-07-25 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1530752462324-1YM2VMROX0SE40K80L64/13329505_1603745496604115_3600874156219690990_o.jpg Accessible arts practice James Penny as 'The Sandman' with other cast members during a scene from Speed of Life by RUCKUS - a work made in collaboration with co-director / producer Alison Richardson. PACT centre for emerging artists, Sydney. RUCKUS is a disability-led performance group based in Sydney. They have been working together since 2011 and Speed of Life was their 2nd major full-length and acclaimed work. Photo - Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1530752462324-1YM2VMROX0SE40K80L64/13329505_1603745496604115_3600874156219690990_o.jpg Accessible arts practice James Penny as 'The Sandman' with other cast members during a scene from Speed of Life by RUCKUS - a work made in collaboration with co-director / producer Alison Richardson. PACT centre for emerging artists, Sydney. RUCKUS is a disability-led performance group based in Sydney. They have been working together since 2011 and Speed of Life was their 2nd major full-length and acclaimed work. Photo - Heidrun Lohr https://www.weirdnest.com/grants-and-awards daily 0.75 2017-04-30 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1492496681538-R4QC9RHBEXL700NDS8PY/image-asset.jpeg Grants and awards https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1492496599619-RQCYBBEKLL87TTLBJSVI/IMG_5362.jpg Grants and awards Our audience watching Matt Shillcock and Mel Tyquin during the performance of 'The Likes of Me' for Underbelly Arts Festival Cockatoo Island, Sydney Harbour 2014. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1492496681538-R4QC9RHBEXL700NDS8PY/image-asset.jpeg Grants and awards https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1492496599619-RQCYBBEKLL87TTLBJSVI/IMG_5362.jpg Grants and awards Our audience watching Matt Shillcock and Mel Tyquin during the performance of 'The Likes of Me' for Underbelly Arts Festival Cockatoo Island, Sydney Harbour 2014. https://www.weirdnest.com/reviews daily 0.75 2018-10-27 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493558509491-SZJUJSK3V5S1U33WOD6F/image-asset.jpeg Reviews Ex-Serviced - 20-minute solo work for Performance Space, Cross Cuts season of contemporary performance 2002 - Photo - Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493558509491-SZJUJSK3V5S1U33WOD6F/image-asset.jpeg Reviews Ex-Serviced - 20-minute solo work for Performance Space, Cross Cuts season of contemporary performance 2002 - Photo - Heidrun Lohr https://www.weirdnest.com/authoredarticles daily 0.75 2018-07-29 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1532496253888-QB84IGRISJ2RZ4TTDL3B/sc0193a4f0.jpg Authored Articles FATHOM - a 60 minute solo as part of a performance "touch down" of research launching my 2011-2012 Australia Council dance fellowship. Performance Space, March, 2011. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1532496253888-QB84IGRISJ2RZ4TTDL3B/sc0193a4f0.jpg Authored Articles FATHOM - a 60 minute solo as part of a performance "touch down" of research launching my 2011-2012 Australia Council dance fellowship. Performance Space, March, 2011. https://www.weirdnest.com/workshops daily 0.75 2020-08-22 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1598092577922-JIYIF6WLUUX5L12P4XO6/fathom-8.jpg Workshops - PrimeOrderly The basis of Dean Walsh’s practice, PrimeOrderly is a methodology developed with significant Australia Council support through interdisciplinary study of marine environmental science, aquatic environments and choreographic practice. Specific aquatic-species movement modalities have been distilled into a taxonomy which can be learnt by movement artists. Additionally, improvisation using marine-based image inscription, immersive sound, sense-stimulating suspended apparatus, scuba-breathing techniques, aquatic-physics and other methods of choreographic approach are included in the suite of offerings within PrimeOrderly. Workshops can be 1 day through to several weeks. Included in this method is “DIPPED”, which results in a week of nightly performed improvisations by workshop participants with or without invited audience. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1598092321782-MDN1QFVX6E3U6I4I3SES/DSC_0601.JPG Workshops - Found in Translation A method developed by Dean Walsh, Found in Translation is an accessible contemporary dance / movement and performance-making workshop for people living with and without disability. It’s inclusive of participants who consider themselves to be practicing professional or non-professional artists and/or arts-workers and teachers. Workshops can vary in length, from 1 day to 10 days and is focussed on developing techniques of self-expression and creativity via our body. Other methods like writing, drawing, singing, acting and even composing music, are also facilitated depending on how the group goes. “The things we discover for ourselves are the most important. Our fragility is also very much our strength ... dance, dance, otherwise we are lost.” renowned German choreographer, Pina Baush See our NDIS Support page for specific details relating to Australian organisations and participants. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1598092577922-JIYIF6WLUUX5L12P4XO6/fathom-8.jpg Workshops - PrimeOrderly The basis of Dean Walsh’s practice, PrimeOrderly is a methodology developed with significant Australia Council support through interdisciplinary study of marine environmental science, aquatic environments and choreographic practice. Specific aquatic-species movement modalities have been distilled into a taxonomy which can be learnt by movement artists. Additionally, improvisation using marine-based image inscription, immersive sound, sense-stimulating suspended apparatus, scuba-breathing techniques, aquatic-physics and other methods of choreographic approach are included in the suite of offerings within PrimeOrderly. Workshops can be 1 day through to several weeks. Included in this method is “DIPPED”, which results in a week of nightly performed improvisations by workshop participants with or without invited audience. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1598092321782-MDN1QFVX6E3U6I4I3SES/DSC_0601.JPG Workshops - Found in Translation A method developed by Dean Walsh, Found in Translation is an accessible contemporary dance / movement and performance-making workshop for people living with and without disability. It’s inclusive of participants who consider themselves to be practicing professional or non-professional artists and/or arts-workers and teachers. Workshops can vary in length, from 1 day to 10 days and is focussed on developing techniques of self-expression and creativity via our body. Other methods like writing, drawing, singing, acting and even composing music, are also facilitated depending on how the group goes. “The things we discover for ourselves are the most important. Our fragility is also very much our strength ... dance, dance, otherwise we are lost.” renowned German choreographer, Pina Baush See our NDIS Support page for specific details relating to Australian organisations and participants. https://www.weirdnest.com/solohighlights daily 0.75 2017-04-30 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493553013117-OEFZ2P3YF7X8EYPSEDOU/SCAN0007.jpg Solo (highlights) Grounded on Air - Performance Space, Cleveland Street, 2005. Photo - Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493553013117-OEFZ2P3YF7X8EYPSEDOU/SCAN0007.jpg Solo (highlights) Grounded on Air - Performance Space, Cleveland Street, 2005. Photo - Heidrun Lohr https://www.weirdnest.com/othercompany daily 0.75 2017-04-30 https://www.weirdnest.com/primeorderly daily 0.75 2018-07-25 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1524827885840-ZBRBBBY0H2JLCU2MTY6P/Prime+Orderly+%231-301.jpg PrimeOrderly Kathryn Puie and Natalie Ayton in 'Under Pressure', Lennox Theatre, Riverside Theatres, Parramatta, 2013. Co-produced by FORM Dance Projects. Photo, Heidrun Löhr. Choreography, Dean Walsh. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493553659484-8CTDANFFSS0XU5OVRJ1X/IMG_4267.jpg PrimeOrderly https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1524827885840-ZBRBBBY0H2JLCU2MTY6P/Prime+Orderly+%231-301.jpg PrimeOrderly Kathryn Puie and Natalie Ayton in 'Under Pressure', Lennox Theatre, Riverside Theatres, Parramatta, 2013. Co-produced by FORM Dance Projects. Photo, Heidrun Löhr. Choreography, Dean Walsh. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493553659484-8CTDANFFSS0XU5OVRJ1X/IMG_4267.jpg PrimeOrderly https://www.weirdnest.com/group-works daily 0.75 2017-05-26 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493552547282-V4EA6QCZGQHSBMVU1O7K/image-asset.jpeg Group Innocence lost - Marnie Palomares and Rowan Marchingo perform a scene from Back From Front. Photo - Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493552395484-UK3JVM6H7MWBQUBPUITZ/image-asset.jpeg Group The stage is set ... performer Elizabeth Ryan prepares, preshow Back From Front, Performance Space, Carriageworks, Sydney, May 2008. Photo - Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493552395484-UK3JVM6H7MWBQUBPUITZ/image-asset.jpeg Group The stage is set ... performer Elizabeth Ryan prepares, preshow Back From Front, Performance Space, Carriageworks, Sydney, May 2008. Photo - Heidrun Lohr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493552547282-V4EA6QCZGQHSBMVU1O7K/image-asset.jpeg Group Innocence lost - Marnie Palomares and Rowan Marchingo perform a scene from Back From Front. Photo - Heidrun Lohr https://www.weirdnest.com/environmental-activation daily 0.75 2019-05-07 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919813116-VR8XK73U5TCG74M276RR/Pick+up+GP+Feb+2.jpg Environmental activation 18 minutes, one person, Wallumatta Bay, Gladesville, Sydney, 2014. Also used in PlastiCities. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919949542-18AW8NMWK2O0VBXK2H3L/Pick+up+GP+Feb+1.jpg Environmental activation https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529977891190-3Z0IMPHS3NC38DQH12DA/Plastic+buried.jpg Environmental activation https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919365086-TO28620O8JU3L5DSD6W5/IMG_5441+2.jpg Environmental activation Found whilst scuba diving, Gordon's Bay, Sydney 2018 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919171487-I8ZOIV9ZMHKF0E71DF9I/IMG_3282.jpg Environmental activation In rehearsals for new 60-minute production, Threshold:NRC. May 2018 at PACT Theatre as a double bill with choreographer Cloé Fournier and her work, Humanoid. I'm sorting out the natural debris from the plastic that was used to build and installation in the work. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529978064713-VU7GGOR0WP8FBDQX2PTC/Pick+up+BPP+March+2.jpg Environmental activation Gladesville Park, Sydney 2018. Between 5 of us, over 8 weeks and barely 4 hours, above and below water surface, we collected close to 460kgs of plastic! This was all used, to alarming effect, in Threshold:NRC performance about a third the way in. Photos and footage of that work coming soon. The debris has been sorted to be used again in the near future for a remount and what isn't has been taken directly to recycle stations. As mentioned in the list above. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919250352-6XGV227VSVVHVESFC0ZP/IMG_5108.jpg Environmental activation Wicked ironies - 'more smart? more safe? Mortein!'. Lane Cove, Sydney. Huge amounts of micro plastics found beneath washed up natural debris. Never assume a site that appears at first clear is. Rummage a little and you'll discover that a lot more lethal plastics lie beneath. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919391555-DG2JQ43WRRXUXUG31QKH/IMG_5615.jpg Environmental activation Found whilst scuba diving, Bare Island, Sydney 2018 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919457058-IFUO24MUTX8ZZEPOIC1V/washed+up+3.jpg Environmental activation Picking up plastic to be used in Threshold:NRC production, Wollstonecraft, Sydney, 2018 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919698779-SY75DRUBRSCTYJM1ZWD1/IMG_5121+2.jpg Environmental activation And Tambourine Bay, Sydney 2018 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529977916433-UA9OWLYX383XSVAGQISC/GP+plastic+wrap+around.jpg Environmental activation We see this a lot these days. Plastic bags entangled in mangrove shoots or even buried beneath sand, Gladesville, Sydney. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919841725-MXU5SBACAG48UJ4WT9WH/Pick+up+GP+Feb+4.jpg Environmental activation 12 minutes, 2 people, Tarban Bay, Riverglade Reserve, Hunters Hill, Sydney 2014. This was all used in my 3 day durational performance installation PlastiCities for Performances Space’s, Day For Night event at Carriageworks in 2014 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919171487-I8ZOIV9ZMHKF0E71DF9I/IMG_3282.jpg Environmental activation In rehearsals for new 60-minute production, Threshold:NRC. May 2018 at PACT Theatre as a double bill with choreographer Cloé Fournier and her work, Humanoid. I'm sorting out the natural debris from the plastic that was used to build and installation in the work. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919457058-IFUO24MUTX8ZZEPOIC1V/washed+up+3.jpg Environmental activation Picking up plastic to be used in Threshold:NRC production, Wollstonecraft, Sydney, 2018 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919698779-SY75DRUBRSCTYJM1ZWD1/IMG_5121+2.jpg Environmental activation And Tambourine Bay, Sydney 2018 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919841725-MXU5SBACAG48UJ4WT9WH/Pick+up+GP+Feb+4.jpg Environmental activation 12 minutes, 2 people, Tarban Bay, Riverglade Reserve, Hunters Hill, Sydney 2014. This was all used in my 3 day durational performance installation PlastiCities for Performances Space’s, Day For Night event at Carriageworks in 2014 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919250352-6XGV227VSVVHVESFC0ZP/IMG_5108.jpg Environmental activation Wicked ironies - 'more smart? more safe? Mortein!'. Lane Cove, Sydney. Huge amounts of micro plastics found beneath washed up natural debris. Never assume a site that appears at first clear is. Rummage a little and you'll discover that a lot more lethal plastics lie beneath. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529978064713-VU7GGOR0WP8FBDQX2PTC/Pick+up+BPP+March+2.jpg Environmental activation Gladesville Park, Sydney 2018. Between 5 of us, over 8 weeks and barely 4 hours, above and below water surface, we collected close to 460kgs of plastic! This was all used, to alarming effect, in Threshold:NRC performance about a third the way in. Photos and footage of that work coming soon. The debris has been sorted to be used again in the near future for a remount and what isn't has been taken directly to recycle stations. As mentioned in the list above. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529977891190-3Z0IMPHS3NC38DQH12DA/Plastic+buried.jpg Environmental activation https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919391555-DG2JQ43WRRXUXUG31QKH/IMG_5615.jpg Environmental activation Found whilst scuba diving, Bare Island, Sydney 2018 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919813116-VR8XK73U5TCG74M276RR/Pick+up+GP+Feb+2.jpg Environmental activation 18 minutes, one person, Wallumatta Bay, Gladesville, Sydney, 2014. Also used in PlastiCities. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919365086-TO28620O8JU3L5DSD6W5/IMG_5441+2.jpg Environmental activation Found whilst scuba diving, Gordon's Bay, Sydney 2018 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529977916433-UA9OWLYX383XSVAGQISC/GP+plastic+wrap+around.jpg Environmental activation We see this a lot these days. Plastic bags entangled in mangrove shoots or even buried beneath sand, Gladesville, Sydney. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1529919949542-18AW8NMWK2O0VBXK2H3L/Pick+up+GP+Feb+1.jpg Environmental activation https://www.weirdnest.com/articles-about-us daily 0.75 2018-10-27 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1532496748522-60NPRO81Y11TMP8HPCLU/1498738616737.jpeg Articles About Us 'Dying to Sea' a 20-minute performance commissioned by the annual Festival of Death and Dying, held at Critical Path, the national choreographic research centre, Sydney, April 2016 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1532496700126-8M1HMRE6EMPG276GBRA5/FATHOM-516.jpg Articles About Us FATHOM a 40-minute stage 1 'development performance', as part of a 3-week residency through Performance Space, Track 12, Carriageworks, Sydney, August 2010. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1532496700126-8M1HMRE6EMPG276GBRA5/FATHOM-516.jpg Articles About Us FATHOM a 40-minute stage 1 'development performance', as part of a 3-week residency through Performance Space, Track 12, Carriageworks, Sydney, August 2010. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1532496748522-60NPRO81Y11TMP8HPCLU/1498738616737.jpeg Articles About Us 'Dying to Sea' a 20-minute performance commissioned by the annual Festival of Death and Dying, held at Critical Path, the national choreographic research centre, Sydney, April 2016 https://www.weirdnest.com/related-research-links daily 0.75 2018-07-25 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1532485495826-VBBRIQ3WJXE9NCG04V0N/image-asset.jpeg Related Research links Marnie Palomares and Rowan Marchingo in Dean's first large-scale group work, Back From Front. Performance Space, Carriageworks, 2008. Photo - Heidrun Löhr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1532485780731-RRTRLHNBU7S5EQ518YRZ/static1.squarespace-1.jpg Related Research links Sea spongues at 28 metres depth - South Solitary Island, Coffs Harbour, NSW, Australia. Photo - Dean Walsh https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1532485780731-RRTRLHNBU7S5EQ518YRZ/static1.squarespace-1.jpg Related Research links Sea spongues at 28 metres depth - South Solitary Island, Coffs Harbour, NSW, Australia. Photo - Dean Walsh https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1532485495826-VBBRIQ3WJXE9NCG04V0N/image-asset.jpeg Related Research links Marnie Palomares and Rowan Marchingo in Dean's first large-scale group work, Back From Front. Performance Space, Carriageworks, 2008. Photo - Heidrun Löhr https://www.weirdnest.com/dancingsydney daily 0.75 2018-10-23 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1540260124292-UX7IPESYL3BQNV9RVCXL/nla.jpg Dancing Sydney Project Gertrud Bodenwieser, by Clif Peir, c1950 This portrait sat high and proud in the entrance of Bodenwieser Dance Centre, above the library of some 150 dance history books, reminding us daily of why we were able to be where we were. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1540255572642-SBVZ7RW1X5WDCQNVJL57/gertrud_bodenwieser.jpg Dancing Sydney Project Gertrud Bodenwieser - what an influence her practice has had on so many Australian dancers and choreographers. Many without even knowing it. In the build-up to World War Two, Gertrud Bodenwieser fled with a handful of students to Colombia in 1938, where she gave a guest performance as part of the four hundred year celebration of Bogotá. Emigration led Bodenwieser to NZ then Australia. In Sydney, she taught dance and founded the Bodenwieser Ballet. Her teaching has produced some of the most important dance teachers, choreographers and dancers of Australian modern dance history, including Anita Ardell, Keith Bain and Margaret Chapple - who, in turn, went on to teach countless other, 2nd generation, Bodenwieser dancers, choreographer, actors & teachers who are renowned today for their own careers and practices. Bodenwieser’s legacy lives on. In my own archival project, as part of the larger Dancing Sydney project, I want to acknowledge her influence & that of Margaret Chapple. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1540254274297-9YVPKZULJU10RXWY4233/48906.jpg Dancing Sydney Project https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1540254298018-KAAHEPK3XLQ1D3O3GPCR/demon-dance-1eg5ma1.jpg Dancing Sydney Project Dancers of the (Gertrud) Bodenwieser Dance Troupe dancing the timeless, ‘The Demon Machine’ in Austria, in 1936. The work transformed into a bold representation of the threat of a dominant form of leadership over the social order, as the threat of Nazism grew in Western Europe. Picture: National Library of Australia Bodenwieser & some of her troupe - dancers, musicians, composers, set & costumes designers narrowly escaped the Nazis, fleeing first to Japan then South America, NZ and finally settling in Sydney in the late 1940’s. Fellow Bondenwieser dancer and author, Shona Dunlop MacTavish, wrote a thorough account (An Ecstasy of Purpose) of the incredible journey of this remarkable pioneer. It is available to read at the State Library of NSW. I was lucky to perform a remount (by Chappie) of The Demon Machine (as The Demon) for the book launch in 1988. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1540259343822-GHP4P8CBN8J93JLXKVUT/Bodenwieser_Ballet_performance_of_Blue_Danube_Waltz%2C_with_Moira_Claux%2C_Elaine_Vallance%2C_Nina_Bascolo_and_Biruta_Apens%2C_1953_%2817617112191%29.jpg Dancing Sydney Project From the National Library of Australia, Canberra - The Bodenwieser Ballet performance of Blue Danube Waltz, with Moira Claux, Elaine Vallance, Nina Bascolo and Biruta Apens, 1953. Chappie remounted this work several times on students at Bodenwieser Dance Centre. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1540256224918-IDCGD44O8GUPPN9KRGCL/7d292e767d9ab3a4312fcfc661f7ba40a5535c6ce2568a1425a37b90dfc8.jpg Dancing Sydney Project The Demon Machine, Australia and New Zealand 1947. Once established in Sydney, Bodenweiser worked with Australian dancers like (left to right) Coralie Hinkley, Margaret Chapple, Moira Claux, Eileen Cramer, and Mardi Watchorn, who went on to become the next generation of modern dance teachers and creators. Pictures: National Library of Australia https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1540254162834-ZUACCDZLW169NJ8KHGRL/Margaret-Chapple-NLA-pic.jpg Dancing Sydney Project These two photos of Margaret Chapple (Chappie), the co-founder & director (with Keith Bain) of the amazing Bodenwieser Dance Centre (BDC) in Sydney. She was my most influential teacher and mentor, cheeky, infinitely brilliant at teaching, choreographically talented, wise and on of the warmest people I’ve ever known. BDC operated between 1993 & 1996 (the year Chappie passed away). I trained there between October 1987 & ‘graduated’ in June 1990. I am forever indebted to this woman & her generosity of spirit. More on Chappie soon… https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1540259343822-GHP4P8CBN8J93JLXKVUT/Bodenwieser_Ballet_performance_of_Blue_Danube_Waltz%2C_with_Moira_Claux%2C_Elaine_Vallance%2C_Nina_Bascolo_and_Biruta_Apens%2C_1953_%2817617112191%29.jpg Dancing Sydney Project From the National Library of Australia, Canberra - The Bodenwieser Ballet performance of Blue Danube Waltz, with Moira Claux, Elaine Vallance, Nina Bascolo and Biruta Apens, 1953. Chappie remounted this work several times on students at Bodenwieser Dance Centre. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1540256224918-IDCGD44O8GUPPN9KRGCL/7d292e767d9ab3a4312fcfc661f7ba40a5535c6ce2568a1425a37b90dfc8.jpg Dancing Sydney Project The Demon Machine, Australia and New Zealand 1947. Once established in Sydney, Bodenweiser worked with Australian dancers like (left to right) Coralie Hinkley, Margaret Chapple, Moira Claux, Eileen Cramer, and Mardi Watchorn, who went on to become the next generation of modern dance teachers and creators. Pictures: National Library of Australia https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1540260124292-UX7IPESYL3BQNV9RVCXL/nla.jpg Dancing Sydney Project Gertrud Bodenwieser, by Clif Peir, c1950 This portrait sat high and proud in the entrance of Bodenwieser Dance Centre, above the library of some 150 dance history books, reminding us daily of why we were able to be where we were. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1540255572642-SBVZ7RW1X5WDCQNVJL57/gertrud_bodenwieser.jpg Dancing Sydney Project Gertrud Bodenwieser - what an influence her practice has had on so many Australian dancers and choreographers. Many without even knowing it. In the build-up to World War Two, Gertrud Bodenwieser fled with a handful of students to Colombia in 1938, where she gave a guest performance as part of the four hundred year celebration of Bogotá. Emigration led Bodenwieser to NZ then Australia. In Sydney, she taught dance and founded the Bodenwieser Ballet. Her teaching has produced some of the most important dance teachers, choreographers and dancers of Australian modern dance history, including Anita Ardell, Keith Bain and Margaret Chapple - who, in turn, went on to teach countless other, 2nd generation, Bodenwieser dancers, choreographer, actors & teachers who are renowned today for their own careers and practices. Bodenwieser’s legacy lives on. In my own archival project, as part of the larger Dancing Sydney project, I want to acknowledge her influence & that of Margaret Chapple. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1540254274297-9YVPKZULJU10RXWY4233/48906.jpg Dancing Sydney Project https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1540254298018-KAAHEPK3XLQ1D3O3GPCR/demon-dance-1eg5ma1.jpg Dancing Sydney Project Dancers of the (Gertrud) Bodenwieser Dance Troupe dancing the timeless, ‘The Demon Machine’ in Austria, in 1936. The work transformed into a bold representation of the threat of a dominant form of leadership over the social order, as the threat of Nazism grew in Western Europe. Picture: National Library of Australia Bodenwieser & some of her troupe - dancers, musicians, composers, set & costumes designers narrowly escaped the Nazis, fleeing first to Japan then South America, NZ and finally settling in Sydney in the late 1940’s. Fellow Bondenwieser dancer and author, Shona Dunlop MacTavish, wrote a thorough account (An Ecstasy of Purpose) of the incredible journey of this remarkable pioneer. It is available to read at the State Library of NSW. I was lucky to perform a remount (by Chappie) of The Demon Machine (as The Demon) for the book launch in 1988. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1540254162834-ZUACCDZLW169NJ8KHGRL/Margaret-Chapple-NLA-pic.jpg Dancing Sydney Project These two photos of Margaret Chapple (Chappie), the co-founder & director (with Keith Bain) of the amazing Bodenwieser Dance Centre (BDC) in Sydney. She was my most influential teacher and mentor, cheeky, infinitely brilliant at teaching, choreographically talented, wise and on of the warmest people I’ve ever known. BDC operated between 1993 & 1996 (the year Chappie passed away). I trained there between October 1987 & ‘graduated’ in June 1990. I am forever indebted to this woman & her generosity of spirit. More on Chappie soon… https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1540178427154-OR2BSM2YJLSH5VWF3SP9/IMG_6324.jpg Dancing Sydney Project https://www.weirdnest.com/bodyaquatic daily 0.75 2019-04-25 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1556165015990-2T7NSK14G6R4SRRK49OE/BodyAquatic+Program.jpg BodyAquatic https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1556165021880-HGG7534D8HOJPHP7YL34/BodyAquatic+Program2.jpg BodyAquatic https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1556165022832-V504GM7ULNRB1E8B6I4K/BodyAquatic+Program3.jpg BodyAquatic https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1556165027407-ZYC1PPV7N6L7ZWEJRBWW/BodyAquatic+Program4.jpg BodyAquatic https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1556165027803-EZ1OC4UVAE79RZYHC0O2/BodyAquatic+Program5.jpg BodyAquatic https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1556165033161-3VJZ67Y53W8VDOHPMQ4R/BodyAquatic+Program6.jpg BodyAquatic https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1556165034579-YF5LHY6J1JTACLRXHRY8/BodyAquatic+Program7.jpg BodyAquatic https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1556165039120-D6VL83G1FU1LTRQZEWBL/BodyAquatic+Program8.jpg BodyAquatic https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1556165042726-KM4018KODWWT3P82HZDP/BodyAquatic+Program9.jpg BodyAquatic https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1556165048761-1N744JCRDCSQ3UP38Z38/BodyAquatic+Program10.jpg BodyAquatic https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1556165049280-GVLY563E12C962JEVQ7S/BodyAquatic+Program11.jpg BodyAquatic https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1556165055608-03PUQAY34YR4UTJ9BYGW/BodyAquatic+Program14.jpg BodyAquatic https://www.weirdnest.com/scs daily 0.75 2020-02-12 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580019583071-EOMQA1JCQ9EFSIKKJPKO/10974583_10152589561635872_4217658693924675845_o.jpg Sydney Community Services It’s helpful to recognise there are patterns across all living systems in the words around us, and the relationships we have to them, in everything we do, are never truly separate. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579405492556-PJ5FA7JMXJTR4VIUUM1G/IMG_9285.jpeg Sydney Community Services It’s helpful to recognise there are patterns across all living systems in the words around us, and the relationships we have to them, in everything we do, are never truly separate. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580026460581-Z0Z1QZN3T5F6QXN0RMPV/Warm+Data+Lab+FINAL+v2+copy.jpg Sydney Community Services https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580024657948-A1EWL1HPUYAMKFHGEW5R/Restless+%231-268.jpeg Sydney Community Services Anthony Pandos, Miranda Wheen and Jianna Georgio in ‘True To Nature’ development showing 2012 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580024688659-TD1ZOXRMPZT56PDNA9FV/Restless+%232-355.jpg Sydney Community Services Elizabeth Ryan and Dana Nance in Restless Dance Theatre’s development of Dean’s ‘True To Nature’ piece in 2012 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579405896681-QOSEV9FLTISUBKJX3V0B/Photo+on+10-31-19+at+4.47+PM.jpeg Sydney Community Services Magnified human skin. It’s helpful to recognise there are patterns across all living systems in the worlds around us, and the relationships we have to them, in everything we do, are never truly separate. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580026490414-MP78T9IKZPFJSG69TH0S/Warm+Data+Lab+FINAL+v2+copy2.jpg Sydney Community Services https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580172501448-GPAIOGN38Z9ADL8HYIBU/images.jpg Sydney Community Services The space. The Drill Hall, Critical Path - the national choreographic research centre, Rushcutters Bay, Sydney https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579411049741-GLK1PDRXV34FIDBZKRAF/IMG_9796.jpg Sydney Community Services Participants during a Warm Data Lab that Dean co-hosted through Anthropocene Transition Network on 30th November 2019 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579405396043-M9ER12MYH5OABO8P6J4Q/IMG_0027.jpeg Sydney Community Services It’s helpful to recognise there are patterns across all living systems in the words around us, and the relationships we have to them, in everything we do, are never truly separate. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579415215187-QPILI328BAHLKNORYYPW/IMG_9480.jpg Sydney Community Services It’s helpful to recognise there are patterns across all living systems in the words around us, and the relationships we have to them, in everything we do, are never truly separate. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579411780154-PG2843CFIP2XRXQSRO3X/IMG_9800.jpg Sydney Community Services Participants during a Warm Data Lab that Dean co-hosted through Anthropocene Transition Network on 30th November 2019 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579405896681-QOSEV9FLTISUBKJX3V0B/Photo+on+10-31-19+at+4.47+PM.jpeg Sydney Community Services Magnified human skin. It’s helpful to recognise there are patterns across all living systems in the worlds around us, and the relationships we have to them, in everything we do, are never truly separate. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580024657948-A1EWL1HPUYAMKFHGEW5R/Restless+%231-268.jpeg Sydney Community Services Anthony Pandos, Miranda Wheen and Jianna Georgio in ‘True To Nature’ development showing 2012 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580024688659-TD1ZOXRMPZT56PDNA9FV/Restless+%232-355.jpg Sydney Community Services Elizabeth Ryan and Dana Nance in Restless Dance Theatre’s development of Dean’s ‘True To Nature’ piece in 2012 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579411780154-PG2843CFIP2XRXQSRO3X/IMG_9800.jpg Sydney Community Services Participants during a Warm Data Lab that Dean co-hosted through Anthropocene Transition Network on 30th November 2019 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579405492556-PJ5FA7JMXJTR4VIUUM1G/IMG_9285.jpeg Sydney Community Services It’s helpful to recognise there are patterns across all living systems in the words around us, and the relationships we have to them, in everything we do, are never truly separate. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580019583071-EOMQA1JCQ9EFSIKKJPKO/10974583_10152589561635872_4217658693924675845_o.jpg Sydney Community Services It’s helpful to recognise there are patterns across all living systems in the words around us, and the relationships we have to them, in everything we do, are never truly separate. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580026460581-Z0Z1QZN3T5F6QXN0RMPV/Warm+Data+Lab+FINAL+v2+copy.jpg Sydney Community Services https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579415215187-QPILI328BAHLKNORYYPW/IMG_9480.jpg Sydney Community Services It’s helpful to recognise there are patterns across all living systems in the words around us, and the relationships we have to them, in everything we do, are never truly separate. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579411049741-GLK1PDRXV34FIDBZKRAF/IMG_9796.jpg Sydney Community Services Participants during a Warm Data Lab that Dean co-hosted through Anthropocene Transition Network on 30th November 2019 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579405396043-M9ER12MYH5OABO8P6J4Q/IMG_0027.jpeg Sydney Community Services It’s helpful to recognise there are patterns across all living systems in the words around us, and the relationships we have to them, in everything we do, are never truly separate. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580026490414-MP78T9IKZPFJSG69TH0S/Warm+Data+Lab+FINAL+v2+copy2.jpg Sydney Community Services https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580172501448-GPAIOGN38Z9ADL8HYIBU/images.jpg Sydney Community Services The space. The Drill Hall, Critical Path - the national choreographic research centre, Rushcutters Bay, Sydney https://www.weirdnest.com/more-info-accessible-and-inclusive-workshops daily 0.75 2020-01-29 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580024192733-QLBE9AMBUL29RNN9VTYT/image-asset.jpeg More Info Accessible and Inclusive Workshops James Penny in RUCKUS ensemble’s Speed of Life, PACT theatre, 2016 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580024509735-SE34Y2WBNEDZASBK67RK/IMG_9537.jpeg More Info Accessible and Inclusive Workshops Katherine, Belinda and Dean in class https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580272175615-K727SVKCZCIHMLQUIGN1/IMG_9532.jpeg More Info Accessible and Inclusive Workshops Members of Sydney Community Services Dance/Movement Group, Cat and Katherine watching on as Belinda draws the aerial view of her proposed dance geography. Photo by Rosella Massida https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580024426903-YWAJEP7W5ZMY1BD35A70/IMG_9525.jpeg More Info Accessible and Inclusive Workshops The class of 2019 - Sydney Community Services Creative Dance/Movement and Performance https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579404553728-L90Q2HODA5T2ORLOD3Q8/71597811_2456164687752543_1245984293335859200_n.jpg More Info Accessible and Inclusive Workshops Dean and Katherine with Rosemary sitting down and Sama dancing in the background, during a structured improvisation for Sydney Community Services Dance/Movement Group. Photo by Amanda Zhorg https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579414175802-D4NFFOQ850BGNOBEH07X/IMG_9228.jpg More Info Accessible and Inclusive Workshops Participants in Dean’s 3 day ‘Found In Translation’ workshop during Crossroad Arts’ C.R.U.S.H disability arts access profesional development workshop series. Mackay, Queensland, 2019 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579414600961-CAA69WMB6VGRIF2QYWBC/IMG_8128.jpg More Info Accessible and Inclusive Workshops Jam and Bread Ensemble from regional Orange, NSW during a rehearsal for their first full-length work, ‘Second Nature’. Photographer - Dean Walsh https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579414022169-AVZFZT6PJEB3XT63BT2I/IMG_9556.jpeg More Info Accessible and Inclusive Workshops Dean and Cat during a 5-minute improvised duet in class at Sydney Community Services’ weekly classes 2019. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579413075661-CQXA2NIEMZWANUDGLZ5S/IMG_0025.jpeg More Info Accessible and Inclusive Workshops Jam and Bread Ensemble from regional Orange, NSW during a film shoot for their first full-length work, ‘Second Nature’. Photographer - Dean Walsh https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580024426903-YWAJEP7W5ZMY1BD35A70/IMG_9525.jpeg More Info Accessible and Inclusive Workshops The class of 2019 - Sydney Community Services Creative Dance/Movement and Performance https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580024192733-QLBE9AMBUL29RNN9VTYT/image-asset.jpeg More Info Accessible and Inclusive Workshops James Penny in RUCKUS ensemble’s Speed of Life, PACT theatre, 2016 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579414545317-7Y00GQNMIKKJIT0YR224/IMG_9536.jpeg More Info Accessible and Inclusive Workshops Working together on new and diverse ideas for ways to dance and move. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580024509735-SE34Y2WBNEDZASBK67RK/IMG_9537.jpeg More Info Accessible and Inclusive Workshops Katherine, Belinda and Dean in class https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580272175615-K727SVKCZCIHMLQUIGN1/IMG_9532.jpeg More Info Accessible and Inclusive Workshops Members of Sydney Community Services Dance/Movement Group, Cat and Katherine watching on as Belinda draws the aerial view of her proposed dance geography. Photo by Rosella Massida https://www.weirdnest.com/warm-data daily 0.75 2020-08-22 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580015674469-ZAIV6Y6DSXZS5ZLEA7DJ/10974583_10152589561635872_4217658693924675845_o.jpg Warm Data It’s helpful to understand that there are patterns across all living systems in the words around us, and the relationships we have to them, in everything we do, are never truly separate. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580015824542-8KXZI2D999CG8ALDTI35/IMG_9384.jpg Warm Data It’s helpful to understand that there are patterns across all living systems in the words around us, and the relationships we have to them, in everything we do, are never truly separate. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580015674469-ZAIV6Y6DSXZS5ZLEA7DJ/10974583_10152589561635872_4217658693924675845_o.jpg Warm Data It’s helpful to understand that there are patterns across all living systems in the words around us, and the relationships we have to them, in everything we do, are never truly separate. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1579405396043-M9ER12MYH5OABO8P6J4Q/IMG_0027.jpeg Warm Data It’s helpful to understand that there are patterns across all living systems in the words around us, and the relationships we have to them, in everything we do, are never truly separate. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1580015824542-8KXZI2D999CG8ALDTI35/IMG_9384.jpg Warm Data It’s helpful to understand that there are patterns across all living systems in the words around us, and the relationships we have to them, in everything we do, are never truly separate. https://www.weirdnest.com/terrestrial daily 0.75 2020-08-23 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1598146914331-LZYJHNIDQTHW81PCHS34/mycZwamvlok_20060705.jpg Terrestrial 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Speed of Life https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1598093367325-V5EN273S18Q9S9N01SEV/13329505_1603745496604115_3600874156219690990_o.jpg NDIS Support James Penny in Ruckus’s Speed of Life https://www.weirdnest.com/adventurousbodies daily 0.75 2020-08-19 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1597809033687-MGUO65BDUR0GMQHU9MON/Adventurous%2BBodies%2Bcover%2Bart%2B1+%281%29.jpg Adventurous Bodies Cover art by Dean Walsh https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1597809033687-MGUO65BDUR0GMQHU9MON/Adventurous%2BBodies%2Bcover%2Bart%2B1+%281%29.jpg Adventurous Bodies Cover art by Dean Walsh https://www.weirdnest.com/supporters-1 daily 0.75 2020-08-19 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493788840540-LF96L18MFAWNN6Y6OWLP/images.png Supporters https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493788060401-FEAI9AZQ0E0533K9XW70/images-2.png 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https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493786785033-2UPE3D1TQYN44WJ87RE8/images-5.png Dean Walsh Bio https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493787884876-D9NY0TFG7WUPR7MJ1DG9/logo.png Dean Walsh Bio https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493551821121-M3UYATJ7MAJEZ81X1694/image-asset.jpeg Dean Walsh Bio Buoyant space, self contained - 30 metres below (100 ft) South Solitary Island, off Coffs Harbour, NSW, 2014 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493789087071-7HGB0XBE4HKQM57U9G92/images-6.png Dean Walsh Bio https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493788840540-LF96L18MFAWNN6Y6OWLP/images.png Dean Walsh Bio https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493788060401-FEAI9AZQ0E0533K9XW70/images-2.png Dean Walsh Bio https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493898588976-AFJ95VSYYWYKE2U67A0E/image-asset.gif Dean Walsh Bio https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493790488629-M5VS41LE8WP2DD2VKR3R/image-asset.jpeg Dean Walsh Bio https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493787859624-IOTB1XYZC8HCNU3OBN4O/images-1.png Dean Walsh Bio https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493789854750-F2VMHRAM4QV75DB2JW76/Tasdance.jpg Dean Walsh Bio https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493535795291-EWJSCKHD1SI2DQTZIXTX/Fathom+-+black+umbrella Dean Walsh Bio FATHOM - Performance Space, Carriageworks 2011 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493898668672-AZO39TKKN8JJ2QMKHW7J/images-7.png Dean Walsh Bio https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493898499590-W4FFN9D68P3DD5QJ0RTG/image-asset.jpeg Dean Walsh Bio https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493789834601-X94VTUWNO83FG52A1ULC/SGLMG_ORGlogo_BLUE_hori_1000x600.png Dean Walsh Bio https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1493788034218-FM723Z4IQG3A8DIU0GM1/images.jpg Dean Walsh Bio https://www.weirdnest.com/ready-to-tour daily 0.75 2020-08-19 https://www.weirdnest.com/works daily 0.75 2020-08-19 https://www.weirdnest.com/nestworks-archive daily 0.75 2020-08-19 https://www.weirdnest.com/archiveoverview daily 0.75 2020-08-19 https://www.weirdnest.com/fwddreamers daily 0.75 2020-08-19 https://www.weirdnest.com/in-development daily 0.75 2020-08-19 https://www.weirdnest.com/chronology-arts-archive-page daily 0.75 2020-08-21 https://www.weirdnest.com/about-fit daily 0.75 2025-06-15 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606822661266-J0V2W8R7ZMLVNYDI344Z/IMG_2748+copy.jpeg About F.I.T Image Description: Emily and Andrew during a dance-based improvisation whilst the rest of us played musical instruments to accompany them. In this image, Emily is seen wearing a white shirt, black pants and a red scrunchie in her hair. She is towards the left of the image, lying on her stomach with head towards the camera. Andrew to the far right of the image wearing a white tank-top and short yellow shorts in a very bent-over position with his elbows bent and fingertips touching the floor, head bent under his chest, and his legs bent in a half-squat position. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870205305-JBAWCS8MXF6YP6UUJAPH/Screen+Shot+2020-12-01+at+11.15.33+PM.jpeg About F.I.T Image Description: James and Toby during their 5 minute dance and character improvisation, whilst responding to different sound tracks and props and set. Hugh Bamford Hall, North Bondi. Toby, wearing a colourful tie-dye red orange and white t-shirt and navy blue shorts, is in the foreground of the image in mid-strut holding the edge of an old book at a distance infront of his pelvis with his arms outstretched. His upright body is in a twisted position and he is looking up at the ceiling with an open mouth in a broad smile. James, wearing a black tanktop and black shorts, is in the mid-ground of the image behind Toby and to the right. He is also holding an old bookin a similar position to Toby. James is in an upright position and is in mid-walk with both knees bent and is looking directly ahead of him, facing to the right of the image. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606871029542-FPN13LV1N58YOJGH7XM0/Screen+Shot+2020-12-01+at+11.44.52+PM.jpeg About F.I.T Image Description: Edwina & Dean during their 5 minute structured improvisation. Edwina is in the foreground of the image barefoot wearing her school uniform, red tartan skirt and white shortsleeved button shirt, standing in mid-step smiling broadly with laughter, she is her left arm bent and at her side and her right arm straight and behind her, Dean is seated in the background at a table and chair with both feet on the ground, arms outstretched on the table with his palms faced down. He is looking to the wall at the right of the image with a neutral expression on his face. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870337106-RIBNEONX4U8YOBKYKPJQ/Screen+Shot+2020-12-01+at+11.44.42+PM.jpeg About F.I.T Image Description: Edwina & Dean during their 5 minute structured improvisation. Edwina is in the foreground of the image barefoot wearing her school uniform, red tartan skirt and white shortsleeved button shirt, stepping forward, her arms in in the air infront and above her head, blurry in this image from movement. Edwina is smiling. Dean is seated in the background at a table and chair with both feet on the ground, arms outstretched on the table with his palms faced down. He is looking to the wall at the right of the image with a neutral expression on his face. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606875529408-9SSSFUWLYJ1L2I0A67LF/Screen+Shot+2020-12-02+at+12.19.07+PM.jpeg About F.I.T Image Description: James leading some of the group at Nth Bondi in 20 minute warm up. There are three figures, from left to right, Emily, James and Jade, spread out accross the space. Jade and Emily are wearing grey shirts and black shorts. James is wearing a black tanktop and black shorts. They are running towards the front of the hall, facing the camera, with expressions of laughter on their faces. They are flapping their straight arms and are captured in this image in various degrees of raised arms. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606875647134-I50TBLN00Z2TGNCB0J3Q/Screen+Shot+2020-12-02+at+12.31.58+PM.jpeg About F.I.T Image Description: Left to right, Bella, Dean, James and Toby right at the end of their 10 minute group improvisation. An image of four people closely cropped to mostly only see their faces. Bella is smiling calmly at the camera with Dean’s arms around her shoulder. Dean is enthusiastically smiling with his mouth open in mid-laughter. James is infront of Deand and Bella also smiling very enthusiastically with his mouth open in mid-laughter. Toby is infront of James, in this image he is blurry with movement and we can only see his mouth, chin and shoulder due to his proximity to the camera. He is also smiling enthuiastically in mid-laughter. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606869993479-RCZWBT8I2SHM5QAPY78O/Screen+Shot+2020-12-01+at+10.58.01+PM.jpeg About F.I.T Image description: Bella and Emily from our Nth Bondi group during their 5 minute structured improvisation - working with props and a small set of table and chairs. Emily wearing a bright orange dress is calmly standing in the middle facing the table and chairs situated on the left hand side of the image. Bella is behind Emily to the right in the middle of launching her right leg, leaning slightly forward, arms extended in the air up and infront of her, and her head flinging her hair back. One of her arms is straight with a bent wrist, and her other arm is bent also with a bent wrist. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870505647-VEGX8SCI1GA3VXWCZ9CS/Screen+Shot+2020-12-02+at+12.07.19+AM.jpeg About F.I.T Image Description: Andrew and Jade performing their 5 minute improvised duet. A quiet but very detailed performance. Andrew and Jade are seated facing one another but are quite far apart. Jade is thowing a book towards Andrew, who has his hands open ready to catch the book which is in mid-air. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606875557109-58SS5FA0Z23UZDRFO2W2/Screen+Shot+2020-12-02+at+12.22.11+PM.jpeg About F.I.T Image Description: Emily, Andrew, James and Jade during their “playback” dance to the other groups’ dance. Emily is barely visible in the image to the left as we can only see her elbow and leg in the image. James, wearing black shorts and a black tanktop, is in the middle with a big smile on his face in the middle of dancing with his arms bent infront of his torso and leaning to his left. Andrew is behind James, wearing a blue and purple mottled shirt and grey tracksuit pants scrunched up above his knees, he is blurry with movement, jumping to his right. Jade is to the right of the image wearing pale green tights and a grey shirt, on her knees with her hands on her hips and smiling in mid-laughter. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870150533-C6H3GE47N2UIW2US4ZRV/Screen+Shot+2020-12-01+at+11.10.34+PM.jpeg About F.I.T Image Description: James and Toby during their 5 minute dance and character improvisation, whilst responding to different sound tracks and props and set. Hugh Bamford Hall, Nth Bondi. In this image James and Toby are to the right of the image, seated at a grey table with James on the left, Toby on the right. Infront of James is a book and a singing bowl musical instrument, and infront of toby is a book. They both have comedic expressions on their faces with arms bent and wrists bent, with Toby in a hunched position and James sitting more upright. Their legs are visible under the table, James has his feet raised off the ground with his right foot on top of his left. Toby’s feet are also raised off the ground with this ankles crossed. The sun coming through the windows illuminates a broad line in the middle of the floor from the front to the back of the hall, and the pair are to the right of it. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870316370-8CXLOMPHQYYKT4LC9C1Y/image-asset.jpeg About F.I.T Image Description: Edwina and Toby during their wonderfully improvised captivating duet. Edwina is in the foreground, her hair swaying to the left of the image, she has a neutral expression on her face. She is leaning slightly foreward, her arms behind her back, and she is in mid-sway, with her right leg bent inwards. Toby is in the background standing at a grey table picking something up from the table. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606823594061-KILFERKGBEXJ5KC1Z8V7/IMG_2739.jpeg About F.I.T Emily from our Nth Bondi group working on her set design as translation for her developing dance piece. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606875674834-54JWRMXJP0XNHNPCTWA2/Screen+Shot+2020-12-02+at+12.36.43+PM.jpeg About F.I.T Image Description: We see the back of Emily and Bella’s heads in the foreground as they are seated on audience chairs. On the wooden dancefloor, Andrew and James are standing and smiling. Andrew is bent over in mid-step looking at Jame’s hand. James is to the right of Andrew with his hand outstretched infront of him. Andrew is following James’ hand. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870558567-WA50FKDDGXRXDM7JPRVT/Screen+Shot+2020-12-02+at+12.09.57+AM.jpeg About F.I.T Image Description: Jade and Andrew are in a scene with a grey table, two black chairs and a book on the floor in the background. In the foreground Jade is to the left, walking with her arms outstretched to her sides. In her left hand she is holding a book, which is also being held by Andrew withhis right hand outstretched to his side. Andrew is stepping forward as well, left left hand resting by his side. Andrew is looking at Jade, and Jade is looking forward. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606823092766-P0FHN19SU5G5W99NUM5J/IMG_2462.jpeg About F.I.T Jade from our Nth Bondi group writing down her thoughts on her own dance and performance. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870185705-2JQ1UFZW9P6CJ81C3JWZ/Screen+Shot+2020-12-01+at+11.14.22+PM.jpeg About F.I.T Image Description: Toby and James during their wonderful 8 minute improvisation, looking at ‘call and response’ technique - at Hugh Bamford Hall. Toby is in the foreground stepping towards the left of the image, he is holding a book above his face and is looking towards the book. James is behind Toby stepping towards the same direction as Toby and is also holding a book above his head and looking at it. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870401834-LG9OCL85ZXLC3L52GOB2/Screen+Shot+2020-12-02+at+12.01.35+AM.jpeg About F.I.T Image Description: Jade and Dean during their quite absurd improvised duet. There were a lot of laughs had by all. Dean is in the foreground to the right of the image leaning foreward with a book in his right hand stretched out behind him, he is facing Jade. Jade is in the background with a book in her hand walking towards Dean. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606822798837-6JI7J71FI0UXYQT1SQN7/IMG_6085.jpeg About F.I.T Image description: Five people around a table - Bella, Emily, James and Jade. There are 10 diverse musical instruments made up of everyday objects (old kettle, glass and steel bottles and plastic containers with beads in them) on the table top. Andrew is reaching across the table from right to left to pick up an instrument. Each of the students have an instrument in their hands, ready to play. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606822915293-SBR7YZY5F4L9IJVIX66V/IMG_2528.jpeg About F.I.T Image description: Four people captured dancing. Dean is leading three students in a dance routine. All have their right arms up and right legs forward. Sun is beaming through onto the wooden floor. The wall to the left is painted white and the back and right side wall are natural brown brick. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606876058558-UEDA0BC0QW7LT2GLAL1L/Screen+Shot+2020-12-02+at+12.35.09+PM.jpeg About F.I.T Image Description: Dean and Andrew working on what they will facilitate during one of our Saturday morning weekly classes at Nth Bondi, Hugh Bamford Hall, October 2021. The pair are seated at a grey table with various items on it including a computer, a drink, papers, keys, wallet, sunnies, pink pencil case, phone and speaker. Andrew is in mid conversation wtih Dean, holding a pen in his right hand taking notes and his left hand in the middle of gesturing as he speaks. Dean has his elbows on the table, looking pensive with his left hand holding his chin and right hand holding a pen taking notes. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606869945163-YV2DX6B2TGRBN7OAOZOT/Screen+Shot+2020-12-01+at+10.56.00+PM.jpeg About F.I.T Image description: Bella and Emily from our Nth Bondi group during their 5 minute structured improvisation - working with props and a small set of table and chairs. Emily wearing a bright orange dress has her right leg out to the side and is facing away from us with her hands on a large grey table. Bella is captured in mid-flight runing towards camera with her arms out to her side close to shoulder height. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606822985804-FNPIPSMC0Q54ZXPLSH23/IMG_2428.jpeg About F.I.T Andrew and Jade recording (written and drawn) down what they see, feel and hear from the group dancing in the studio space. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606875674834-54JWRMXJP0XNHNPCTWA2/Screen+Shot+2020-12-02+at+12.36.43+PM.jpeg About F.I.T Image Description: We see the back of Emily and Bella’s heads in the foreground as they are seated on audience chairs. On the wooden dancefloor, Andrew and James are standing and smiling. Andrew is bent over in mid-step looking at Jame’s hand. James is to the right of Andrew with his hand outstretched infront of him. Andrew is following James’ hand. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606823092766-P0FHN19SU5G5W99NUM5J/IMG_2462.jpeg About F.I.T Jade from our Nth Bondi group writing down her thoughts on her own dance and performance. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606875557109-58SS5FA0Z23UZDRFO2W2/Screen+Shot+2020-12-02+at+12.22.11+PM.jpeg About F.I.T Image Description: Emily, Andrew, James and Jade during their “playback” dance to the other groups’ dance. Emily is barely visible in the image to the left as we can only see her elbow and leg in the image. James, wearing black shorts and a black tanktop, is in the middle with a big smile on his face in the middle of dancing with his arms bent infront of his torso and leaning to his left. Andrew is behind James, wearing a blue and purple mottled shirt and grey tracksuit pants scrunched up above his knees, he is blurry with movement, jumping to his right. Jade is to the right of the image wearing pale green tights and a grey shirt, on her knees with her hands on her hips and smiling in mid-laughter. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606875647134-I50TBLN00Z2TGNCB0J3Q/Screen+Shot+2020-12-02+at+12.31.58+PM.jpeg About F.I.T Image Description: Left to right, Bella, Dean, James and Toby right at the end of their 10 minute group improvisation. An image of four people closely cropped to mostly only see their faces. Bella is smiling calmly at the camera with Dean’s arms around her shoulder. Dean is enthusiastically smiling with his mouth open in mid-laughter. James is infront of Deand and Bella also smiling very enthusiastically with his mouth open in mid-laughter. Toby is infront of James, in this image he is blurry with movement and we can only see his mouth, chin and shoulder due to his proximity to the camera. He is also smiling enthuiastically in mid-laughter. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870150533-C6H3GE47N2UIW2US4ZRV/Screen+Shot+2020-12-01+at+11.10.34+PM.jpeg About F.I.T Image Description: James and Toby during their 5 minute dance and character improvisation, whilst responding to different sound tracks and props and set. Hugh Bamford Hall, Nth Bondi. In this image James and Toby are to the right of the image, seated at a grey table with James on the left, Toby on the right. Infront of James is a book and a singing bowl musical instrument, and infront of toby is a book. They both have comedic expressions on their faces with arms bent and wrists bent, with Toby in a hunched position and James sitting more upright. Their legs are visible under the table, James has his feet raised off the ground with his right foot on top of his left. Toby’s feet are also raised off the ground with this ankles crossed. The sun coming through the windows illuminates a broad line in the middle of the floor from the front to the back of the hall, and the pair are to the right of it. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606875529408-9SSSFUWLYJ1L2I0A67LF/Screen+Shot+2020-12-02+at+12.19.07+PM.jpeg About F.I.T Image Description: James leading some of the group at Nth Bondi in 20 minute warm up. There are three figures, from left to right, Emily, James and Jade, spread out accross the space. Jade and Emily are wearing grey shirts and black shorts. James is wearing a black tanktop and black shorts. They are running towards the front of the hall, facing the camera, with expressions of laughter on their faces. They are flapping their straight arms and are captured in this image in various degrees of raised arms. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606871029542-FPN13LV1N58YOJGH7XM0/Screen+Shot+2020-12-01+at+11.44.52+PM.jpeg About F.I.T Image Description: Edwina & Dean during their 5 minute structured improvisation. Edwina is in the foreground of the image barefoot wearing her school uniform, red tartan skirt and white shortsleeved button shirt, standing in mid-step smiling broadly with laughter, she is her left arm bent and at her side and her right arm straight and behind her, Dean is seated in the background at a table and chair with both feet on the ground, arms outstretched on the table with his palms faced down. He is looking to the wall at the right of the image with a neutral expression on his face. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870337106-RIBNEONX4U8YOBKYKPJQ/Screen+Shot+2020-12-01+at+11.44.42+PM.jpeg About F.I.T Image Description: Edwina & Dean during their 5 minute structured improvisation. Edwina is in the foreground of the image barefoot wearing her school uniform, red tartan skirt and white shortsleeved button shirt, stepping forward, her arms in in the air infront and above her head, blurry in this image from movement. Edwina is smiling. Dean is seated in the background at a table and chair with both feet on the ground, arms outstretched on the table with his palms faced down. He is looking to the wall at the right of the image with a neutral expression on his face. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606822661266-J0V2W8R7ZMLVNYDI344Z/IMG_2748+copy.jpeg About F.I.T Image Description: Emily and Andrew during a dance-based improvisation whilst the rest of us played musical instruments to accompany them. In this image, Emily is seen wearing a white shirt, black pants and a red scrunchie in her hair. She is towards the left of the image, lying on her stomach with head towards the camera. Andrew to the far right of the image wearing a white tank-top and short yellow shorts in a very bent-over position with his elbows bent and fingertips touching the floor, head bent under his chest, and his legs bent in a half-squat position. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606823594061-KILFERKGBEXJ5KC1Z8V7/IMG_2739.jpeg About F.I.T Emily from our Nth Bondi group working on her set design as translation for her developing dance piece. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606822915293-SBR7YZY5F4L9IJVIX66V/IMG_2528.jpeg About F.I.T Image description: Four people captured dancing. Dean is leading three students in a dance routine. All have their right arms up and right legs forward. Sun is beaming through onto the wooden floor. The wall to the left is painted white and the back and right side wall are natural brown brick. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606822985804-FNPIPSMC0Q54ZXPLSH23/IMG_2428.jpeg About F.I.T Andrew and Jade recording (written and drawn) down what they see, feel and hear from the group dancing in the studio space. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606876058558-UEDA0BC0QW7LT2GLAL1L/Screen+Shot+2020-12-02+at+12.35.09+PM.jpeg About F.I.T Image Description: Dean and Andrew working on what they will facilitate during one of our Saturday morning weekly classes at Nth Bondi, Hugh Bamford Hall, October 2021. The pair are seated at a grey table with various items on it including a computer, a drink, papers, keys, wallet, sunnies, pink pencil case, phone and speaker. Andrew is in mid conversation wtih Dean, holding a pen in his right hand taking notes and his left hand in the middle of gesturing as he speaks. Dean has his elbows on the table, looking pensive with his left hand holding his chin and right hand holding a pen taking notes. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870558567-WA50FKDDGXRXDM7JPRVT/Screen+Shot+2020-12-02+at+12.09.57+AM.jpeg About F.I.T Image Description: Jade and Andrew are in a scene with a grey table, two black chairs and a book on the floor in the background. In the foreground Jade is to the left, walking with her arms outstretched to her sides. In her left hand she is holding a book, which is also being held by Andrew withhis right hand outstretched to his side. Andrew is stepping forward as well, left left hand resting by his side. Andrew is looking at Jade, and Jade is looking forward. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870401834-LG9OCL85ZXLC3L52GOB2/Screen+Shot+2020-12-02+at+12.01.35+AM.jpeg About F.I.T Image Description: Jade and Dean during their quite absurd improvised duet. There were a lot of laughs had by all. Dean is in the foreground to the right of the image leaning foreward with a book in his right hand stretched out behind him, he is facing Jade. Jade is in the background with a book in her hand walking towards Dean. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870205305-JBAWCS8MXF6YP6UUJAPH/Screen+Shot+2020-12-01+at+11.15.33+PM.jpeg About F.I.T Image Description: James and Toby during their 5 minute dance and character improvisation, whilst responding to different sound tracks and props and set. Hugh Bamford Hall, North Bondi. Toby, wearing a colourful tie-dye red orange and white t-shirt and navy blue shorts, is in the foreground of the image in mid-strut holding the edge of an old book at a distance infront of his pelvis with his arms outstretched. His upright body is in a twisted position and he is looking up at the ceiling with an open mouth in a broad smile. James, wearing a black tanktop and black shorts, is in the mid-ground of the image behind Toby and to the right. He is also holding an old bookin a similar position to Toby. James is in an upright position and is in mid-walk with both knees bent and is looking directly ahead of him, facing to the right of the image. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606869945163-YV2DX6B2TGRBN7OAOZOT/Screen+Shot+2020-12-01+at+10.56.00+PM.jpeg About F.I.T Image description: Bella and Emily from our Nth Bondi group during their 5 minute structured improvisation - working with props and a small set of table and chairs. Emily wearing a bright orange dress has her right leg out to the side and is facing away from us with her hands on a large grey table. Bella is captured in mid-flight runing towards camera with her arms out to her side close to shoulder height. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606869993479-RCZWBT8I2SHM5QAPY78O/Screen+Shot+2020-12-01+at+10.58.01+PM.jpeg About F.I.T Image description: Bella and Emily from our Nth Bondi group during their 5 minute structured improvisation - working with props and a small set of table and chairs. Emily wearing a bright orange dress is calmly standing in the middle facing the table and chairs situated on the left hand side of the image. Bella is behind Emily to the right in the middle of launching her right leg, leaning slightly forward, arms extended in the air up and infront of her, and her head flinging her hair back. One of her arms is straight with a bent wrist, and her other arm is bent also with a bent wrist. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606822798837-6JI7J71FI0UXYQT1SQN7/IMG_6085.jpeg About F.I.T Image description: Five people around a table - Bella, Emily, James and Jade. There are 10 diverse musical instruments made up of everyday objects (old kettle, glass and steel bottles and plastic containers with beads in them) on the table top. Andrew is reaching across the table from right to left to pick up an instrument. Each of the students have an instrument in their hands, ready to play. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870316370-8CXLOMPHQYYKT4LC9C1Y/image-asset.jpeg About F.I.T Image Description: Edwina and Toby during their wonderfully improvised captivating duet. Edwina is in the foreground, her hair swaying to the left of the image, she has a neutral expression on her face. She is leaning slightly foreward, her arms behind her back, and she is in mid-sway, with her right leg bent inwards. Toby is in the background standing at a grey table picking something up from the table. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870505647-VEGX8SCI1GA3VXWCZ9CS/Screen+Shot+2020-12-02+at+12.07.19+AM.jpeg About F.I.T Image Description: Andrew and Jade performing their 5 minute improvised duet. A quiet but very detailed performance. Andrew and Jade are seated facing one another but are quite far apart. Jade is thowing a book towards Andrew, who has his hands open ready to catch the book which is in mid-air. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1606870185705-2JQ1UFZW9P6CJ81C3JWZ/Screen+Shot+2020-12-01+at+11.14.22+PM.jpeg About F.I.T Image Description: Toby and James during their wonderful 8 minute improvisation, looking at ‘call and response’ technique - at Hugh Bamford Hall. Toby is in the foreground stepping towards the left of the image, he is holding a book above his face and is looking towards the book. James is behind Toby stepping towards the same direction as Toby and is also holding a book above his head and looking at it. https://www.weirdnest.com/support daily 0.75 2024-06-06 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1623120072500-ZZZIG2UAVKXJ50NJBPSV/1519882684816.png Support Us - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/c673689f-6ef1-4b4f-9108-f4b6cca0a284/CoS_RGB_Supported_By_SMALL+USE_BLACK.jpg Support Us - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700793178567-AQH6JSLM5TH98J1ZZQ0U/PXL_20221203_074312941.jpg Support Us - True to Nature, 2022 photo by Jorge Bechara https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700793161225-DCZ60B9YPCM1KD5UM3JD/Screen+Shot+2016-10-27+at+1.19.29+pm.png Support Us - Chronology Arts Ensemble ca. 2009 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700793204488-EDKWZ4I31JBNL3NCHFT8/IMG_5753.JPG Support Us - Weirding Ways 2023 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700793196229-RV67DB48SY69D3TO8GBG/Infinite%2BItem-175.jpeg Support Us - Infinite Item, 2021 photo by Heirdun Löhr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700793170486-YSUDW8MVM38NI1I5657L/Screen+Shot+2016-10-27+at+1.17.02+pm.png Support Us - Chronology Arts ca 2007 photo by Emily Sandrussi https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700793673549-LISU20FHDS8AOPSRJMRU/31947022_10160268759295133_8523695025085743104_n.jpg Support Us - Proxima, 2017 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700793194905-SR2OA1224VR7AIGRI24Y/Infinite%2BItem-314.jpeg Support Us - Context is Everything, 2019 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700793308075-0GXLHLR1GSY97Y3G2H2X/Copy+of+RSVP+grid+5+%281%29+%281%29.JPG Support Us - Creative Agency Program 2023 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700793310141-O2R5EHAQRIG3YUU2QBFL/Bodhasara+Wide.jpg Support Us - Bodhasara, 2012 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700793669097-05Q7EZOF3F4V5XPPWWYX/11335838_694153257377781_1434984095_n.jpg Support Us - Vivid Festival, 2011 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700793293886-OQ5M41011SRTS6MDOCKN/IMG_3159.JPG Support Us - Creative Agency Program, 2023 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700793662251-04A0TN6EXY5N5QXYCEX3/11326504_568919259915041_1394830045_n.jpg Support Us - Vivid 2012 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700793295237-04MUY48LDC2S0SNR2QZH/DSC_7907.jpeg Support Us - True To Nature, 2022 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700793191763-HT8T0GDBJH7XNVTTQJ0I/NONAMESScreen+Shot+2021-10-09+at+11.17.00+am.png Support Us - Creative Agency Program during Covid, 2020 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700808586972-6PH8FD020FNB99E9GV6H/395361683_10159821402930872_2990255751879601651_n.png Support Us - Day for Night (Performance Space) 2021 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1700808643718-U08PKKEOGAYI15348JRE/Screen+Shot+2023-11-17+at+2.10.06+pm.png Support Us - Weirding Ways 2023 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1623120072500-ZZZIG2UAVKXJ50NJBPSV/1519882684816.png Support Us - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/c673689f-6ef1-4b4f-9108-f4b6cca0a284/CoS_RGB_Supported_By_SMALL+USE_BLACK.jpg Support Us - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.weirdnest.com/context-is-everything daily 0.75 2021-09-02 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1612512452228-CKKNZDGOEAU0UKMGDCBC/march+dance+logo+black.jpg Context is Everything https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1612512466198-IJZH0D4YDAZ97TVPBGEY/logo.png Context is Everything https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1612512385687-443HC57GU8WSANEV4989/MarchDance+DW+image+-+preferred.jpeg Context is Everything https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1612512479480-AZBINNLG9P7MYE20RUS6/Brand_X_logo-1920x484.jpg Context is Everything https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1612512452228-CKKNZDGOEAU0UKMGDCBC/march+dance+logo+black.jpg Context is Everything https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1612512466198-IJZH0D4YDAZ97TVPBGEY/logo.png Context is Everything https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1612512385687-443HC57GU8WSANEV4989/MarchDance+DW+image+-+preferred.jpeg Context is Everything https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1612512479480-AZBINNLG9P7MYE20RUS6/Brand_X_logo-1920x484.jpg Context is Everything https://www.weirdnest.com/supportmaterialmicrofellowship daily 0.75 2021-05-27 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621913470408-L3ZOBJNAXSJTLZEPWKAB/File_005%283%29.jpeg Support Material MicroFellowship - Make it stand out Adding the final touches of some of the Context Is Everything 2nd stage development showing set in March. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621913795427-7SG0RUAIZGNGD1RLD1UP/File_000%281%29.jpeg Support Material MicroFellowship - Make it stand out A photo from our recent disability arts access and inclusion, Autumn Intensive, as part of our Creative Agency Program (CAP) series. This program utilizes my Found In Translation (FIT) methodology I’ve been developing in tandem to developing Prime Orderly (marine embodied research practice) across the last 15 years. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621913744903-M42HRRUYJ18GYAHDNXJC/File_000%2821%29.jpeg Support Material MicroFellowship - Make it stand out A photo from our recent disability arts access and inclusion, Autumn Intensive, as part of our Creative Agency Program (CAP) series. This program utilizes my Found In Translation (FIT) methodology I’ve been developing in tandem to developing Prime Orderly (marine embodied research practice) across the last 15 years. This is James and Toby - regulars to our program. We are also training James up in workshop leadership roles. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621913975032-HLLWSQAL6VG364DVBWX3/File_006%281%29.jpeg Support Material MicroFellowship - Make it stand out A recent workshop in Prime Orderly methods I facilitated in Nth Bondi. This 3-day workshop “Three Days ofd Descent” I focused on experimenting with resonant, deeper, human water volumes and vocal resonances, inter-immersed with recorded sounds of marine biodiversity I’ve recorded whilst diving. These sounds played back to us whilst blind-folded and weighted to ‘negatively buoyant’ (absolute sinking) states and then exploring unweighted states of positive and neutral buoyancies whilst in movement. These are states experienced whilst free and scuba diving. Exploring other movement modalities that situate us in recollections of ‘other-than-human’ water body realms. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621914221651-JA0UW4YM6XO9QF9A438M/File_001%284%29.jpeg Support Material MicroFellowship - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621913408425-XYOYYV9NG20J3P1J36KZ/File_001%282%29.jpeg Support Material MicroFellowship - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621914082011-Y04HLTZMK560N213MEEU/Infinite+Item.jpeg Support Material MicroFellowship - Make it stand out Martelle Hammer and I getting ready for my 75 minute live-streamed performance, from Critical Path, of Infinite Item during global COVID lock downs. This work uses 1.2 tonnes of found plastic (in marine environments) to communicate extremely pressing concerns of both plastic and noise pollution within the vast marine ecosystems across the globe. It finishes with tempting questions, “What is active and activated hope in vastly damaged but complex and changing human living systems? How do we use this unprecedented time to contemplate our individual and communal actions to instigate positive changes in all our living systems? Human and other than?” https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621913358229-5830TI165CGX9MXIY315/File_002%283%29.jpeg Support Material MicroFellowship - Make it stand out One of the costumes I designed for the final scene of Context Is Everything. Inspired by coraline formations, the pink coral-algae that forms the base for a healthy marine reef. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621913897197-H6YJ0FDAPSIZSZLSH0MP/File_004%283%29.jpeg Support Material MicroFellowship - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621914186594-IWJZMSOM8WI9UFQMSY0L/File_000%2820%29.jpeg Support Material MicroFellowship - Make it stand out Massively inspired by Halberstam’s work. I was only introduced to it last year and it really influenced the last stage of Context Is Everything. I now want to deepen the thread of these theories and insights, which I deeply feel an affiliation with in all my work, during this MicroFellowship - if successful. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621914082011-Y04HLTZMK560N213MEEU/Infinite+Item.jpeg Support Material MicroFellowship - Make it stand out Martelle Hammer and I getting ready for my 75 minute live-streamed performance, from Critical Path, of Infinite Item during global COVID lock downs. This work uses 1.2 tonnes of found plastic (in marine environments) to communicate extremely pressing concerns of both plastic and noise pollution within the vast marine ecosystems across the globe. It finishes with tempting questions, “What is active and activated hope in vastly damaged but complex and changing human living systems? How do we use this unprecedented time to contemplate our individual and communal actions to instigate positive changes in all our living systems? Human and other than?” https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621914221651-JA0UW4YM6XO9QF9A438M/File_001%284%29.jpeg Support Material MicroFellowship - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621913470408-L3ZOBJNAXSJTLZEPWKAB/File_005%283%29.jpeg Support Material MicroFellowship - Make it stand out Adding the final touches of some of the Context Is Everything 2nd stage development showing set in March. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621913358229-5830TI165CGX9MXIY315/File_002%283%29.jpeg Support Material MicroFellowship - Make it stand out One of the costumes I designed for the final scene of Context Is Everything. Inspired by coraline formations, the pink coral-algae that forms the base for a healthy marine reef. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621913795427-7SG0RUAIZGNGD1RLD1UP/File_000%281%29.jpeg Support Material MicroFellowship - Make it stand out A photo from our recent disability arts access and inclusion, Autumn Intensive, as part of our Creative Agency Program (CAP) series. This program utilizes my Found In Translation (FIT) methodology I’ve been developing in tandem to developing Prime Orderly (marine embodied research practice) across the last 15 years. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621913408425-XYOYYV9NG20J3P1J36KZ/File_001%282%29.jpeg Support Material MicroFellowship - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621913975032-HLLWSQAL6VG364DVBWX3/File_006%281%29.jpeg Support Material MicroFellowship - Make it stand out A recent workshop in Prime Orderly methods I facilitated in Nth Bondi. This 3-day workshop “Three Days ofd Descent” I focused on experimenting with resonant, deeper, human water volumes and vocal resonances, inter-immersed with recorded sounds of marine biodiversity I’ve recorded whilst diving. These sounds played back to us whilst blind-folded and weighted to ‘negatively buoyant’ (absolute sinking) states and then exploring unweighted states of positive and neutral buoyancies whilst in movement. These are states experienced whilst free and scuba diving. Exploring other movement modalities that situate us in recollections of ‘other-than-human’ water body realms. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621914186594-IWJZMSOM8WI9UFQMSY0L/File_000%2820%29.jpeg Support Material MicroFellowship - Make it stand out Massively inspired by Halberstam’s work. I was only introduced to it last year and it really influenced the last stage of Context Is Everything. I now want to deepen the thread of these theories and insights, which I deeply feel an affiliation with in all my work, during this MicroFellowship - if successful. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621913744903-M42HRRUYJ18GYAHDNXJC/File_000%2821%29.jpeg Support Material MicroFellowship - Make it stand out A photo from our recent disability arts access and inclusion, Autumn Intensive, as part of our Creative Agency Program (CAP) series. This program utilizes my Found In Translation (FIT) methodology I’ve been developing in tandem to developing Prime Orderly (marine embodied research practice) across the last 15 years. This is James and Toby - regulars to our program. We are also training James up in workshop leadership roles. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1621913897197-H6YJ0FDAPSIZSZLSH0MP/File_004%283%29.jpeg Support Material MicroFellowship - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.weirdnest.com/pay-what-you-can daily 0.75 2021-07-04 https://www.weirdnest.com/infinite-item daily 0.75 2021-09-02 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1630555390178-HAMQWXCVJE2MZVZFHSZW/Infinite%2BItem-156%2B2.jpeg Infinite Item https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1630555390200-I3B9V5P1FNPTBVTCS3UW/Infinite%2BItem-148.jpeg Infinite Item https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1630555391033-7G10OD4OB3OLPGMGUGGG/Infinite%2BItem-314.jpeg Infinite Item https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1630555391470-1755Y5XHSIAFTDFAX5D1/Infinite%2BItem-269.jpeg Infinite Item https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1630555391934-9GG265VAHDQTL6CZXDND/Infinite%2BItem-130.jpeg Infinite Item https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1630555392498-ICUYFVECWIEWJYSHZ2T5/Infinite%2BItem-55.jpeg Infinite Item https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1630555393060-OK75P6U2G75P15SHD7E5/Infinite%2BItem-175.jpeg Infinite Item https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1630555393534-2OSUNTA5H5TGG9HCN0MY/Infinite%2BItem-254.jpeg Infinite Item https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1630555394214-36G1I7ZX2DUUNLMCBOBX/Infinite%2BItem-110.jpeg Infinite Item https://www.weirdnest.com/true-to-nature-1 daily 0.75 2023-07-27 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/9e463b50-0ca5-4a7b-ad51-8323218e3745/WaverleyCouncillogo.jpeg True to Nature - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/9e463b50-0ca5-4a7b-ad51-8323218e3745/WaverleyCouncillogo.jpeg True to Nature - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1690440555731-8NZTN6NEQPF73PZSXH9N/DSC_7852.jpeg True to Nature https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1690440555531-Z1RCU97DYIDRPMGYHMDL/DSC_8009.jpeg True to Nature https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1690440556713-XBZFZDAXXET6DR38WK2C/DSC_7907.jpeg True to Nature https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1690440557320-PLZZDZ5CBLZRJJBPIMEG/DSC_7862.jpeg True to Nature https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1690440557919-AIOZ40YADLRMGQ2XXLO1/DSC_7812.jpeg True to Nature https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1690440558904-UODSNLOYRJ47ZFAZLD2I/DSC_7719.jpeg True to Nature https://www.weirdnest.com/weirding-ways daily 0.75 2023-11-21 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1697428697360-HVHJXVWAZ1HUU1W9SD4E/Paul+Mic.png Weirding Ways - October 2023 - Weirding Ways Paul Walker [Moonshine] (Mic), Bianca Willoughby and Andrew Batt-Rawden [Theare] (cello) https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1697428716175-F2WAYUE505CHXOK5WD2O/Screen+Shot+2023-10-16+at+2.48.03+pm.png Weirding Ways - October 2023 Weirding Ways Bianca Willoughby, Andrew Batt-Rawden [Theare] and Paul Walker [Moonshine] https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1697428797886-I430DH6GZS3T8EG0F943/East+Sydney+Creative+Arts+Centre+ESCAC+IMG_6915.jpg Weirding Ways https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1697428710551-QZWDXU0MW6SYXF2WCNP7/Small+East+Sydney+Creative+Arts+Centre+ESCAC+IMG_6970+copy.jpg Weirding Ways - September 2023 Weirding Ways Andrew Batt-Rawden, Melanie Eden, Tim Moriarty and Nikki Heywood in development at Brand X ESCAC https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1697428799819-85X41VKUXAN1RKFDYU4M/https___cdn.evbuc.com_images_599278219_450712483996_1_original.jpeg Weirding Ways - Setpember 2023 Weirding Ways Melanie Eden, Tim Moriarty and Nikki Heywood perform at Low302 in the inaugural Weirding Ways https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1697428800921-DZTJ0FP9EG0POSMMQ58G/https___cdn.evbuc.com_images_599278399_450712483996_1_original.jpeg Weirding Ways - September 2023 Weirding Ways Nikki Heywood performs at Low302 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1697428802092-RY8B9W1J2PI3CPRIH3QB/https___cdn.evbuc.com_images_599278489_450712483996_1_original.jpeg Weirding Ways - September 2023 Weirding Ways Tim Moriarty (bass flute) and Andrew Batt-Rawden in development exchange at BrandX ESCAC https://www.weirdnest.com/cap daily 0.75 2023-11-24 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/9e463b50-0ca5-4a7b-ad51-8323218e3745/WaverleyCouncillogo.jpeg Creative Agency Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1690440555531-Z1RCU97DYIDRPMGYHMDL/DSC_8009.jpeg Creative Agency Program https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1690440556713-XBZFZDAXXET6DR38WK2C/DSC_7907.jpeg Creative Agency Program https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1690440557320-PLZZDZ5CBLZRJJBPIMEG/DSC_7862.jpeg Creative Agency Program https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1690440558904-UODSNLOYRJ47ZFAZLD2I/DSC_7719.jpeg Creative Agency Program https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1676247280325-MTO9LDMGSBHJV4ALX8VA/DSC_7797.jpeg Creative Agency Program https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1666234973905-4SG1TNVK6U263GHQGHW6/Waverly+19.jpeg Creative Agency Program https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1666234966093-30VQSJVZKN9ASLOPBWH5/Waverly+17.jpeg Creative Agency Program https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1666234979583-OZSADSED282YX170MU3O/Waverly+16.JPG Creative Agency Program https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1666234938375-0BAAXPWVQRHO64GO567M/Waverly+13.JPG Creative Agency Program https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1666234898172-OZ1IJHCJQNBKOYYASWA8/Waverly+9.JPG Creative Agency Program https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1666234880590-8LDW02UJS3LZFCLHSWMG/Waverly+7.JPG Creative Agency Program https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1666234854138-XCHB6WVGPAWTTRSRTK85/Waverly+5.jpeg Creative Agency Program https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1666234819183-A8S8YWSEVYFCWD8VDL1M/Waverly+1.JPG Creative Agency Program https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/9e463b50-0ca5-4a7b-ad51-8323218e3745/WaverleyCouncillogo.jpeg Creative Agency Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.weirdnest.com/workshopsclasses daily 0.75 2024-04-03 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/c2c6498a-0c35-41ff-a0f1-b4bd642b57f4/IMG_8822.JPG Workshops/Classes - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/9dee90a7-a8ad-4200-82e6-4b51c4bc8a23/3.jpg Workshops/Classes - Make it stand out ‘Under Pressure’ one of the works birthed at the end of Dean’s fellowship research. A 45 minute trio with the wonderful Kathryn Puie and Natalie Ayton – 2012. Photo by Heidrun Löhr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/5572d30c-97c7-4477-8d74-f5ea49caf512/2.jpg Workshops/Classes - Make it stand out ‘Under Pressure’ one of the works birthed at the end of Dean’s fellowship research. A 45 minute trio with the wonderful Kathryn Puie and Natalie Ayton – 2012. Photo by Heidrun Löhr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/736b619a-afd3-4134-81c6-f68c8138a96a/4.jpg Workshops/Classes - Make it stand out ‘Under Pressure’ one of the works birthed at the end of Dean’s fellowship research. A 45 minute trio with the wonderful Kathryn Puie and Natalie Ayton – 2012. Photo by Heidrun Löhr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/349c1653-8a69-4b51-8ccf-01afa452075a/1.jpg Workshops/Classes - Make it stand out ‘Under Pressure’ one of the works birthed at the end of Dean’s fellowship research. A 45 minute trio with the wonderful Kathryn Puie and Natalie Ayton – 2012. Photo by Heidrun Löhr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/30276d4f-27bc-4d77-bee9-7f1f5d427062/5.jpg Workshops/Classes - Make it stand out ‘SeeAnEnemy’ – a 20 minute trio on the same program. A meditation on our fear of sharks. Photo by Heidrun Löhr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/5572d30c-97c7-4477-8d74-f5ea49caf512/2.jpg Workshops/Classes - Make it stand out ‘Under Pressure’ one of the works birthed at the end of Dean’s fellowship research. A 45 minute trio with the wonderful Kathryn Puie and Natalie Ayton – 2012. Photo by Heidrun Löhr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/c2c6498a-0c35-41ff-a0f1-b4bd642b57f4/IMG_8822.JPG Workshops/Classes - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/349c1653-8a69-4b51-8ccf-01afa452075a/1.jpg Workshops/Classes - Make it stand out ‘Under Pressure’ one of the works birthed at the end of Dean’s fellowship research. A 45 minute trio with the wonderful Kathryn Puie and Natalie Ayton – 2012. Photo by Heidrun Löhr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/30276d4f-27bc-4d77-bee9-7f1f5d427062/5.jpg Workshops/Classes - Make it stand out ‘SeeAnEnemy’ – a 20 minute trio on the same program. A meditation on our fear of sharks. Photo by Heidrun Löhr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/9dee90a7-a8ad-4200-82e6-4b51c4bc8a23/3.jpg Workshops/Classes - Make it stand out ‘Under Pressure’ one of the works birthed at the end of Dean’s fellowship research. A 45 minute trio with the wonderful Kathryn Puie and Natalie Ayton – 2012. Photo by Heidrun Löhr https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/736b619a-afd3-4134-81c6-f68c8138a96a/4.jpg Workshops/Classes - Make it stand out ‘Under Pressure’ one of the works birthed at the end of Dean’s fellowship research. A 45 minute trio with the wonderful Kathryn Puie and Natalie Ayton – 2012. Photo by Heidrun Löhr https://www.weirdnest.com/store daily 0.75 2020-08-19 https://www.weirdnest.com/store/p/seven-stations-album monthly 0.5 2025-09-03 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1597815998498-GUFRCQZ7XS3AS0CEEG2P/sevenstations.jpeg Store - "Seven Stations" Album https://www.weirdnest.com/home daily 1.0 2025-09-03 https://www.weirdnest.com/home/contactus-mk9y4 monthly 0.5 2025-09-03 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1492738657798-026T1HEUK8ZG6RMVMGSU/image-asset.jpeg Home - Contact Us https://www.weirdnest.com/home/about-us-b383x monthly 0.5 2025-09-03 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1597820753967-04JJLQSJB39VUO38G746/%21APAXInfinite+Item-150.jpg Home - Our Team - Dean Walsh Co-Director of Weird Nest. Dean is an award-winning Australian contemporary dance and performance practitioner, teacher and writer. He is Autistic (higher functioning) and identifies as living with disability through a co-morbidity of ADHD and Complex-PTSD that influences his Autism and life significantly. https://www.weirdnest.com/home/what-we-offer-ekr2y monthly 0.5 2025-09-03 https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1618551621126-AX12KPK5QZ1KPW4B9LY1/Prime%2BOrderly%2B%231-301.jpeg Home - What We Offer - PrimeOrderly PrimeOrderly is a complex system of movement and choreographic / compositional and educational methodologies, communication and research into new ares of scientific and other contexts of embodied environmental research - in particular “extended cognition” with a focus on marine experiences and understandings. PrimeOrderly workshops are inclusive of all bodies and minds, allowing everyone to engage in environmental awareness, whilst developing an embodied appreciation of biodiversity, unique ways of moving, composing and “performing” and celebrating more than human otherness. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1618551925284-74XQA26Y6IZ1PMZ0TO42/Toby+and+James.jpeg Home - What We Offer - Found in Translation A method developed by Dean Walsh, Found in Translation (FIT) is an accessible contemporary dance / movement / theatre and performance-making workshop for people living with and without disability. It’s inclusive of participants who consider themselves to be practicing professional or non-professional artists and/or arts-workers and teachers. The FIT method draws from a vast array of practices Dean has formulated over his 3 decade career as a dancer, choreographer, performer, educator, writer, set designer and visual artist. Andrew Batt-Rawden brings his own creative professional skills to the mix as a composer and educator. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1607405957713-OS78AAUKZIII3MNIITFD/Adult%2BBeginners.jpg Home - What We Offer - Adult Contemporary Dance Classes are tiered for beginners to professionals. These techniques can develop striking and resonant performative communication skills within a given choreographic treatment of specific ideas you may be currently excavating. Whilst up-skilling in these areas you'll also learn more about elemental considerations that go a long way to improving performance capacity and rigour - breath, gravity, temporal modalities and complex spatial awareness. You will also develop more sophisticated neurological pathways throughout your body. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1607405878228-S2YLD11IP62NQXHTRREW/stones.jpg Home - What We Offer - Creative Agency, Music Composition Focus We encourage students to make instruments from found natural objects, as well as using their own voices, to discover timbre, rhythm, pitch, dynamics and composition, as well as relate sound to movement. There’s never a dull moment, and learners are always fascinated when listening with intention and working with stillness. Sessions are designed to be engaging, relevant and assessable and are tailored to the audience, be they 8 years old or 60 years old, neurodiverse to neurotypical, living with or without disabliity. https://images.squarespace-cdn.com/content/v1/58ce31ace6f2e19aff89c7e4/1607405931820-SYQN6I5RGL7XM9QENEUP/Screen%2BShot%2B2020-08-22%2Bat%2B7.06.51%2Bpm.jpg Home - What We Offer - Stretch, Breath and Environmental Mindfulness These classes are appropriate for people with or without any prior experience in yoga or other forms of deeper stretching, coordination and toning. They are inclusive in this way intentionally as a means to embrace, participate in and promote more diverse and deeper mutual learning. A class where not everything the teacher says is the only point of, or focus on, how all of us learn in very different ways - whether we're experienced experts or first timers. Whether we are neurotypical or neurodivergent. Whether we live with all our physical and intellectual faculties, or have wonderful variations on these.